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Akhso Ilyaguevna Shalumova ( ; 1907–1985) was the first Soviet Union stage actress of the Judeo-Tat Theatre. For many years of creative work, in 1968, by Decree of the Presidium of the Supreme Council of the Dagestan ASSR, Akhso Shalumova was awarded the title of "Honored Artist of the Dagestan ASSR."Irina Mikhailova. Book (Russian language:«Самородки Дагестана») – Gifted of Dagestan by Irina Mikhailova, Makhachkala, Russia. pp. 28-31. 2014.Petr Agarunov.
Her older brother, Manashir, led the Judeo-Tat theater group alongside his wife, Khanum.A. Atnilov. Unfading talent. Newspaper Dagestankaya Pravda, July 10, 1973. Akhso often attended rehearsals, but another older brother, Zavolu, forbade her from participating in productions. At the time, Mountain Jewish customs dictated that women, especially young girls, should not perform on stage. However, Manashir took Akhso under his wing and allowed her to perform. She eventually moved in with him.
In 1924, at the age of 15, Akhso Shalumova began her acting career at the Judeo-Tat theatre. At 16, she married her cousin, Istokhor, who was also a performer in the theater.
Akhso Shalumova's first role was Nazly-Khanum in Odigyuzel (). She later portrayed Gulchohre in Arshin Mal Alan an operetta by Azerbaijanis composer Uzeyir Hajibeyov, Peri in Peri-Khanum (), Khanum, the wife of Shevrut, in Kishdi Khomoli (), Shakhnugor in Shimi Derbendi (), the mother-in-law in Khussur (), the role of Efrus in the play "Makhsum" () by Yuno Semyonov. In the production of Namus (), based on the tragic novel by Alexander Shirvanzade, Akhso Shalumova played the role of Susanna. She also portrayed the mother in the play Quiet Ukrainian Night () and a mountain agronomist in Earth (), along with many other roles.
In 1926, Akhso Shalumova gave birth to a son, Mukhoil, followed by Boris in 1928. Despite having two young children, she traveled through villages, participating in all the theater's productions. In the play Peri-Khanum, her character had two children, and according to the script, Akhso's own sons played those roles alongside her on stage. Later, she gave birth to a daughter, Raisa.Irina Makhachkala. Yana Lyubarskaya.
Working in the theater was not always safe for Akhso Shalumova. On one occasion, while returning from a tour in the village of Mitagi-Kazmalyar, the actors were attacked by robbers who destroyed the stage scenery and beat the male members of the troupe. Akhso and her two young children, whom she had brought with her, were also targeted. Their lives were saved only by villagers returning from the city, who came to their rescue. The actors were often not paid in money; instead, their reward was sometimes food.
In 1932, when the Judeo-Tat sector of the National State Theatre was established, Akhso Shalumova was invited to join as an actress.
During the Great Patriotic War, theater actors went to the front. Akhso sang songs from theater productions for the wounded being treated in Derbent hospitals. Many actors lost their lives during the war. After the war, Akhso Shalumova led the amateur art circle at the Vladimir Lenin Kolkhoz. This group later became the foundation for the revival of the Judeo-Tat theatre. She actively participated in public life, serving multiple times as a deputy of the city council and as a delegate to the Congress of Women of Dagestan.
In 1967, Akhso's eldest son, Mukhoil, passed away in Tashkent.
In 1983, Akhso Shalumova retired from her theatrical career. She died in 1985 in Derbent.
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